https://journals.ub.uni-heidelberg.de/index.php/ba/issue/feedBaessler-Archiv – Kulturen und Künste der Welt2024-12-09T17:46:35+01:00Redaktion Baessler-Archivbaessler_archiv@smb.spk-berlin.deOpen Journal Systemshttps://journals.ub.uni-heidelberg.de/index.php/ba/article/view/107947Titelei2024-11-06T15:05:39+01:00Die Redaktionpublikationsdienste@ub.uni-heidelberg.de2024-11-26T00:00:00+01:00Copyright (c) 2024 Die Redaktionhttps://journals.ub.uni-heidelberg.de/index.php/ba/article/view/107948Inhalt2024-11-06T15:10:00+01:00Die Redaktionpublikationsdienste@ub.uni-heidelberg.de2024-11-26T00:00:00+01:00Copyright (c) 2024 Die Redaktionhttps://journals.ub.uni-heidelberg.de/index.php/ba/article/view/108048Zeitleiste2024-11-12T13:34:19+01:00Die Redaktionpublikationsdienste@ub.uni-heidelberg.de2024-11-26T00:00:00+01:00Copyright (c) 2024 Die Redaktionhttps://journals.ub.uni-heidelberg.de/index.php/ba/article/view/108050Ausstellungen des Ethnologischen Museums seit 19732024-11-12T13:36:31+01:00Die Redaktionpublikationsdienste@ub.uni-heidelberg.de2024-11-26T00:00:00+01:00Copyright (c) 2024 Die Redaktionhttps://journals.ub.uni-heidelberg.de/index.php/ba/article/view/108209Transkulturelle Zusammenarbeit – von kuratierter Partizipation zum »Kollaborativen Museum« und der »Global Cultural Assembly«2024-11-26T14:57:28+01:00Andrea Scholzpublikationsdienste@ub.uni-heidelberg.de2024-11-26T00:00:00+01:00Copyright (c) 2024 Andrea Scholzhttps://journals.ub.uni-heidelberg.de/index.php/ba/article/view/107779Einleitung2024-10-28T14:29:27+01:00Ute Schürenpublikationsdienste@ub.uni-heidelberg.de<p>In addition to its work with Berlin’s urban society and the so-called societies of origin, the cooperation of the Ethnological Museum within the framework of academic or scientific research projects plays an important role. Investigators from all over the world approach the museum for their own research. Also, the Ethnological Museum initiates its own cooperative projects. To this end, the team of the Ethnological Museum maintains an extensive international network of scientific contacts. Support for scientific research remains important. In addition to sufficient staffing, access to third-party funding and research grants is an indispensable prerequisite. The diversity of knowledge cultures, including academic knowledge, must be encouraged. Some of the cooperative projects are briefly presented.</p>2024-11-26T00:00:00+01:00Copyright (c) 2024 Ute Schürenhttps://journals.ub.uni-heidelberg.de/index.php/ba/article/view/10811150 Jahre internationale Forschung – immer noch offene Fragen:2024-11-18T10:54:53+01:00Viola Königpublikationsdienste@ub.uni-heidelberg.de<p>In addition to its work with Berlin’s urban society and the so-called societies of origin, the cooperation of the Ethnological Museum within the framework of academic or scientific research projects plays an important role. Investigators from all over the world approach the museum for their own research. Also, the Ethnological Museum initiates its own cooperative projects. To this end, the team of the Ethnological Museum maintains an extensive international network of scientific contacts. Support for scientific research remains important. In addition to sufficient staffing, access to third-party funding and research grants is an indispensable prerequisite. The diversity of knowledge cultures, including academic knowledge, must be encouraged. Some of the cooperative projects are briefly presented.</p>2024-11-26T00:00:00+01:00Copyright (c) 2024 Viola Könighttps://journals.ub.uni-heidelberg.de/index.php/ba/article/view/108112Musikethnologie im Museum2024-11-18T11:17:08+01:00Albrecht Wiedmannpublikationsdienste@ub.uni-heidelberg.de<p>The Media Department of the Ethnologisches Museum comprises the fields of ethnomusicology, the Berlin Phonogram Archive and visual anthropology. From the beginning of the 1970s, the so-called »Department of Ethnomusicology« was characterized by diverse efforts to reach a broad public. In addition to record and book publications, it regularly organized concerts and workshops. Various special exhibitions substituted the permanent exhibition, which was not set up until 1996. Later on, further tasks were assigned to the department. Since the turn of the millennium, the digitization of the holdings has come to the fore. Until the 1980s, the film archive was mainly based on film series produced by the Göttingen Institute for Scientific Film (IWF, Institut für Wissenschaftlichen Film) and shown primarily for research purposes. Since then, the approach, content, scope and visibility of the archive in the public space have changed.</p>2024-11-26T00:00:00+01:00Copyright (c) 2024 Albrecht Wiedmannhttps://journals.ub.uni-heidelberg.de/index.php/ba/article/view/108486Das Filmarchiv und seine Festivals2024-12-09T17:42:49+01:00Regina Knapppublikationsdienste@ub.uni-heidelberg.de2024-12-09T00:00:00+01:00Copyright (c) 2024 Regina Knapphttps://journals.ub.uni-heidelberg.de/index.php/ba/article/view/108113Digitale Transformation in der Abteilung Medien2024-11-18T11:30:05+01:00Maurice Mengelpublikationsdienste@ub.uni-heidelberg.de<p>The Media Department of the Ethnologisches Museum comprises the fields of ethnomusicology, the Berlin Phonogram Archive and visual anthropology. From the beginning of the 1970s, the so-called »Department of Ethnomusicology« was characterized by diverse efforts to reach a broad public. In addition to record and book publications, it regularly organized concerts and workshops. Various special exhibitions substituted the permanent exhibition, which was not set up until 1996. Later on, further tasks were assigned to the department. Since the turn of the millennium, the digitization of the holdings has come to the fore. Until the 1980s, the film archive was mainly based on film series produced by the Göttingen Institute for Scientific Film (IWF, Institut für Wissenschaftlichen Film) and shown primarily for research purposes. Since then, the approach, content, scope and visibility of the archive in the public space have changed.</p>2024-11-26T00:00:00+01:00Copyright (c) 2024 Maurice Mengelhttps://journals.ub.uni-heidelberg.de/index.php/ba/article/view/108139Gemeinsam Ausstellen – Aspekte des Islam in Berliner muslimischen Communities2024-11-19T13:05:50+01:00Melanie Krebspublikationsdienste@ub.uni-heidelberg.de2024-11-26T00:00:00+01:00Copyright (c) 2024 Melanie Krebshttps://journals.ub.uni-heidelberg.de/index.php/ba/article/view/108114Leerstellen. Ausstellen – Objekte aus Tansania und das koloniale Archiv2024-11-18T11:43:46+01:00Ulrike Kirschpublikationsdienste@ub.uni-heidelberg.de<p>Collaborative exhibitions in ethnological museums, as happening currently in the Humboldt Forum, will be more and more common. Collaborative means working together with so called source communities, the descendants of the original owners of the displayed objects. An artist from Nagaland, India co curated the Naga exhibition. A group of Native Americans were part oft the curatorial team of the Omaha (Umonhon ) exhibition. Indigenous people express their experience with the violence imposed on them by the white intruders. In the Islam exhibition Berlin Islamic community members of different denominations got the occasion of curating their specific showcase in the exhibition. The Tansania exhibition is focussing on decolonialization of the objects. The perspective of the Tanzanian curators concentrates on the colonial context, the rassist attitude of the German colonial power and the history of violence which was imposed on the local population.</p>2024-11-26T00:00:00+01:00Copyright (c) 2024 Ulrike Kirschhttps://journals.ub.uni-heidelberg.de/index.php/ba/article/view/108487Geteilte Geschichten?!2024-12-09T17:46:35+01:00Kristin Weber-Sinnpublikationsdienste@ub.uni-heidelberg.de2024-12-09T00:00:00+01:00Copyright (c) 2024 Kristin Weber-Sinnhttps://journals.ub.uni-heidelberg.de/index.php/ba/article/view/108124Spuren des »Boxerkriegs« in Museumssammlungen2024-11-18T14:21:36+01:00Kerstin Pannhorstpublikationsdienste@ub.uni-heidelberg.de<p>Provenance research, especially when focussing on collections from colonial contexts, requires new collaborative ways of engaging with the communities of implication. In this section, examples of this new way of working are given with presenting two current projects: one is on collections from today’s Tansania that came to Berlin in the context of anti-colonial wars in the late 19th century and another one looks on pieces that were brought to Germany from China, where a war against the so-called Boxer-groups was fought between 1899 and 1901. Yet another example sheds light on the highly sensitive field of human remains in ethnological and anthropological collections. These projects cover new ground in many ways and thus, one goal is also to produce guidelines to assist other museums in the future.</p>2024-11-26T00:00:00+01:00Copyright (c) 2024 Kerstin Pannhorsthttps://journals.ub.uni-heidelberg.de/index.php/ba/article/view/108202Aufarbeitung der Aneignungs- und Erwerbungskontexte der menschlichen Überreste in den Sammlungen2024-11-26T13:44:10+01:00Ilja Labischinskipublikationsdienste@ub.uni-heidelberg.de2024-11-26T00:00:00+01:00Copyright (c) 2024 Ilja Labischinskihttps://journals.ub.uni-heidelberg.de/index.php/ba/article/view/108126Restitutionen aus den Sammlungen des Ethnologischen Museums2024-11-18T14:28:08+01:00Carola Thieleckepublikationsdienste@ub.uni-heidelberg.de<p>Restitution is an important aspect of current collaborative projects between museums and communities of origin. The articles in this chapter examine the topic from the perspective of a lawyer (Thielecke) and an ethnologist and museum director (Koch). Thielecke explains the background of various restitutions from the Ethnological Museum Berlin in the last five years and concludes that at least for now, decision about restitutions are always individual and museums are still in a process of learning and developing strategies in mutual exchange with the communities of origin. Using the history of the Benin Bronzes as an example, from the collection’s origins in a colonial context to the current restitution from the Ethnological Museum to Nigeria, Koch examines the questions and opportunities emerging within restitutions processes for the museum itself as well as for the communities.</p>2024-11-26T00:00:00+01:00Copyright (c) 2024 Carola Thieleckehttps://journals.ub.uni-heidelberg.de/index.php/ba/article/view/108203Kooperation und Restitution in musealen Handlungsfeldern2024-11-26T13:47:29+01:00Lars-Christian Kochpublikationsdienste@ub.uni-heidelberg.de2024-11-26T00:00:00+01:00Copyright (c) 2024 Lars-Christian Koch