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88 items
Artikel
“Why so Many Windows?”
Francis Hunger
No. 6 (2021): Horizons of Mixed Realities
From Digital Literacy to Data Literacy
Angela Dressen
No. 6 (2021): Horizons of Mixed Realities
Confirm You Are a Human
Britt Salvesen
No. 6 (2021): Horizons of Mixed Realities
Extending Museum Beyond Physical Space
Dario Rodighiero
No. 6 (2021): Horizons of Mixed Realities
A Short History of Self-Representation in Digital Art
Tina Sauerlaender
No. 5 (2020): History of Digital Art
Review of Maria Dondero's 'Language of Images: The Forms and the Forces'
Johanna Drucker
No. 5 (2020): History of Digital Art
In Conversation With Claudia Hart
Tina Sauerlaender, Claudia Hart
No. 5 (2020): History of Digital Art
The Curator’s Machine
Dominik Bönisch
No. 5 (2020): History of Digital Art
The History of Art Markets
Felipe Álvarez de Toledo López Herrera, Anne-Sophie Radermecker
No. 5 (2020): History of Digital Art
Digital Art Now
Christiane Paul
No. 5 (2020): History of Digital Art
Virtual Venice
Daniel Savoy
No. 6 (2021): Horizons of Mixed Realities
Summary of the Roundtable “Setting up a DH Curriculum or Certificate” at the Annual Meeting of the Renaissance Society of America (Toronto, March 19, 2019)
Angela Dressen
No. 4 (2019): Transformation of Institutions
Van Gogh TV´s “Piazza Virtuale” – Report-In-Progress and Preliminary Case study
Tilman Baumgärtel, Jens Schröter, Christoph Ernst
No. 5 (2020): History of Digital Art
The Close-up Cloud
Pauline Junginger, Dennis Ostendorf, Barbara Avila Vissirini, Anastasia Voloshina, Timo Hausmann, Sarah Kreiseler, Marian Dörk
No. 5 (2020): History of Digital Art
Meta-curating
Benjamin Egger, Judith Ackermann
No. 5 (2020): History of Digital Art
The problem of distance in digital art history
Dominic Oldman, Diana Tanase, Stephanie Santschi
No. 4 (2019): Transformation of Institutions
Navigating Context, Pathways and Relationships in Museum Collections using Formal Concept Analysis
Richard J. Cole , Frithjof Dau, Jon Ducrou, Peter W. Eklund, Tim Wray
No. 4 (2019): Transformation of Institutions
Method in Interdisciplinary Research
Ewa Machotka , Panagiotis Papapetrou
No. 4 (2019): Transformation of Institutions
Moldmate identification in pre-19th-century European paper using quantitative analysis of watermarks, chain line intervals, and laid line density
Sara F. Gorske, C. Richard Johnson, Jr., William A. Sethares, Margaret Holben Ellis, Paul Messier
No. 5 (2020): History of Digital Art
Queer criticalities
Horace D. Ballard
No. 4 (2019): Transformation of Institutions
The Museum Opens
Johanna Drucker
No. 4 (2019): Transformation of Institutions
ivpy
Damon Crockett
No. 4 (2019): Transformation of Institutions
Historical APPistemology
Liron Efrat
No. 6 (2021): Horizons of Mixed Realities
Art History Now
Emily Pugh
No. 4 (2019): Transformation of Institutions
The impact of digitization and digital resource design on the scholarly workflow in art history
Christina Kamposiori, Simon Mahony, Claire Warwick
No. 4 (2019): Transformation of Institutions
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