kritische berichte - Zeitschrift für Kunst- und Kulturwissenschaften

Index 2021

Die Redaktion — Tue, 04 Mar 2025 00:00:00 +0100

Bildnachweise

Die Redaktion — Tue, 04 Mar 2025 00:00:00 +0100

Autor*innen

Die Redaktion — Tue, 04 Mar 2025 00:00:00 +0100

Rettung in letzter Sekunde – Kunsthistorikerinnen in Historienfilmen zum Thema Kunstraub in der NS-Zeit / Kriegsende

Annette Dorgerloh — Tue, 04 Mar 2025 00:00:00 +0100

Weltenretterin, Hellseherin, Emanze

Änne Söll — Tue, 04 Mar 2025 00:00:00 +0100

Wider das heutige Image der Kunsthistorikerin?

Brigitte Sölch — Tue, 04 Mar 2025 00:00:00 +0100

Wie die eigene Wahrnehmung zu wissenschaftlicher Erkenntnis wird – untersucht anhand von Lees und Anstruther-Thomsons «Beauty and Ugliness» (1897)

Jo Ziebritzki — Tue, 04 Mar 2025 00:00:00 +0100

Zur Un/Möglichkeit des Gelehrtinnenbildes

Henrike Haug — Tue, 04 Mar 2025 00:00:00 +0100

Gruppenbilder mit Dame

Anja Zimmermann — Tue, 04 Mar 2025 00:00:00 +0100

Hedda Guradze und Hanna Grisebach – unsichtbare (Vor)Bilder und ein nicht erteilter Auftrag

Irene Below — Tue, 04 Mar 2025 00:00:00 +0100

Inhaltsverzeichnis

Die Redaktion — Tue, 04 Mar 2025 00:00:00 +0100

Bildnachweise

Die Redaktion — Mon, 03 Mar 2025 00:00:00 +0100

Autor*innen

Die Redaktion — Mon, 03 Mar 2025 00:00:00 +0100

Hochschulinnovation und kein Ende?

Christian Frühm, Henry Kaap, Léa Kuhn — Mon, 03 Mar 2025 00:00:00 +0100

Die Schandwache am Lueger-Ehrenmal in Wien im Oktober 2020

Benjamin Kaufmann, Christian Fuhrmeister — Mon, 03 Mar 2025 00:00:00 +0100

Smashing Figures – Ein performativer Spaziergang im Olympiapark Berlin

Birgit Szepanski — Mon, 03 Mar 2025 00:00:00 +0100

Am Rand der Stadt und der Gesellschaft: Das Wohnbauprojekt Poblado Gitano. O Vao, Pontevedra

Sabine Girg — Mon, 03 Mar 2025 00:00:00 +0100

Von der ‹Wiedergutmachung› zum «Kampf gegen Antisemitismus»

Alexandra Klei — Mon, 03 Mar 2025 00:00:00 +0100

Deconstructing Nationalist Mindsets in Architectural History and Theory by Questioning the Concept of the Single-Family House

Regine Heß — Mon, 03 Mar 2025 00:00:00 +0100

Politisches über zwei «unpolitische» Architekten. Roland Rainer und Karl Schwanzer im Nationalsozialismus

Monika Platzer — Mon, 03 Mar 2025 00:00:00 +0100

Bilder wurden auf Wunsch der Autorin geschwärzt.

Der Der ‹blutige› Durchbruch der belgischen Art Nouveau

Ole W. Fischer — Mon, 03 Mar 2025 00:00:00 +0100

On the Coloniality of Architectural Modernism in Germany

Kenny R. Cupers — Mon, 03 Mar 2025 00:00:00 +0100

From Postcolonial to Decolonial Architectural History: A Method

Itohan Osayimwese — Mon, 03 Mar 2025 00:00:00 +0100

Aus dem ‹Toten Winkel› zum Mainstream? Eine Bestandsaufnahme

Regine Heß, Christian Fuhrmeister, Monika Platzer — Mon, 03 Mar 2025 00:00:00 +0100

Auf Wunsch der Autorin Monika Platzer wurden die Bilder geschwärzt.

Inhaltsverzeichnis

Die Redaktion — Mon, 03 Mar 2025 00:00:00 +0100

Bildnachweise

Die Redaktion — Mon, 03 Mar 2025 00:00:00 +0100

Autor*innen

Die Redaktion — Mon, 03 Mar 2025 00:00:00 +0100

Struktur und Diversität. Zur Debatte über die Arbeitsbedingungen in der Wissenschaft

Eva-Maria Troelenberg — Mon, 03 Mar 2025 00:00:00 +0100

Galaktischer Engpass und verdichteter Kanon: Kunst und Kulturerbe im Raumschiff

Julian Blunk — Mon, 03 Mar 2025 00:00:00 +0100

Reliable Things: The Exhibition Romanische Kunst (Cologne, 1947)

William Diebold — Mon, 03 Mar 2025 00:00:00 +0100

Die Kehrseite des Fragments? – Überlegungen zur Integrität historischer Objekte bei John Ruskin und Alois Riegl

Sophie Stackmann — Mon, 03 Mar 2025 00:00:00 +0100

Auferstehung in Erz – das Weimarer Residenzschloss im Zyklus von Vernichtung und Erneuerung

Sebastian Dohe — Mon, 03 Mar 2025 00:00:00 +0100

Maria, der in den Flammen unversehrte Dornbusch

Daniel Rimsl — Mon, 03 Mar 2025 00:00:00 +0100

Inhaltsverzeichnis

Die Redaktion — Mon, 03 Mar 2025 00:00:00 +0100

Bildnachweise

Die Redaktion — Mon, 03 Mar 2025 00:00:00 +0100

Autor*innen

Die Redaktion — Mon, 03 Mar 2025 00:00:00 +0100

Die Grenzen des Galanten. Zu transgressiven Rahmenstrukturen in Antoine Watteaus Arabesken

Lars Zieke — Mon, 03 Mar 2025 00:00:00 +0100

Ornamentwerden. Techniken der Ornamentalität in Blockintarsien

Maja-Lisa Müller — Mon, 03 Mar 2025 00:00:00 +0100

Aus den Fugen. Bilder zum Klappen

Linda Keck — Mon, 03 Mar 2025 00:00:00 +0100

Riquadratura.

Isabella Augart — Mon, 03 Mar 2025 00:00:00 +0100

Rahmungen als Ornament? Filippo Brunelleschi und das Phänomen peripherer Bildlichkeit in der vormodernen Architektur*

Jennifer Bleek — Mon, 03 Mar 2025 00:00:00 +0100

Rand – Rahmen – Rahmung. Zur Frage der Bedeutung von Rahmen und rahmendem Ornament in der mittelalterlichen Glasmalerei

Reinhard Köpf — Mon, 03 Mar 2025 00:00:00 +0100

Inhaltsverzeichnis

Die Redaktion — Mon, 03 Mar 2025 00:00:00 +0100

Index 2020

Die Redaktion — Mon, 03 Mar 2025 00:00:00 +0100

Bildnachweise

Die Redaktion — Mon, 03 Mar 2025 00:00:00 +0100

Autor*innen

Die Redaktion — Mon, 03 Mar 2025 00:00:00 +0100

Coded Gaze & Male Default

Nina Lucia Groß, Magdalena Grüner — Mon, 03 Mar 2025 00:00:00 +0100

«Dismediation»

Beate Ochsner — Mon, 03 Mar 2025 00:00:00 +0100

Exhibiting Health and Difference at Henry Wellcome’s Historical Medical Museum

Jess Bailey — Mon, 03 Mar 2025 00:00:00 +0100

Reframing Monstrosity as Disability in Early Modern Art and Literature

Maggie Bell — Mon, 03 Mar 2025 00:00:00 +0100

Disability und das Nicht-Sichtbare

Bianca Frohne — Mon, 03 Mar 2025 00:00:00 +0100

DIS_ABILITY ART HISTORY. Editorial

Felix Jäger, Henry Kaap — Mon, 03 Mar 2025 00:00:00 +0100

Inhaltsverzeichnis

Die Redaktion — Mon, 03 Mar 2025 00:00:00 +0100

Bildnachweise

Die Redaktion — Mon, 03 Mar 2025 00:00:00 +0100

Kurzbiografien Autor*innen

Die Redaktion — Mon, 03 Mar 2025 00:00:00 +0100

Digitales Publizieren in der Kunstgeschichte

Katja Müller-Helle — Mon, 03 Mar 2025 00:00:00 +0100

Das ‹Multiple› im 19. Jahrhundert. Von Skulpturmaschinen, Techniktraktaten und Porträt-Miniaturbüsten

Buket Altınoba — Mon, 03 Mar 2025 00:00:00 +0100

Inhaltsverzeichnis

Die Redaktion — Mon, 03 Mar 2025 00:00:00 +0100

Credits

Die Redaktion — Tue, 25 Feb 2025 00:00:00 +0100

Authors of this Volume

Die Redaktion — Tue, 25 Feb 2025 00:00:00 +0100

We are Gardeners of Public Space – An Interview with the Director of IBA’27 by Regine Heß

Andreas Hofer, Regine Heß — Tue, 25 Feb 2025 00:00:00 +0100

(Re-)Building Nations: Housing Regimes in Postwar Israel and Germany

Regine Heß — Tue, 25 Feb 2025 00:00:00 +0100

Housing Ideas at Building Exhibitions in Eretz Israel, 1934–1944

Sigal Davidi — Tue, 25 Feb 2025 00:00:00 +0100

Organised Architectures: New Frankfurt and the Bureaucratisation of Modernity

Carsten Ruhl — Tue, 25 Feb 2025 00:00:00 +0100

Housing Regimes – New Approaches to a State-Citizen-Relation

Yael Allweil, Regine Heß — Tue, 25 Feb 2025 00:00:00 +0100

Inhalt

Die Redaktion — Tue, 25 Feb 2025 00:00:00 +0100

Titelei

Die Redaktion — Tue, 25 Feb 2025 00:00:00 +0100

Titelei

Die Redaktion — Tue, 25 Feb 2025 00:00:00 +0100

Inhalt

Die Redaktion — Tue, 25 Feb 2025 00:00:00 +0100

Autor:inneninfos

Die Redaktion — Tue, 25 Feb 2025 00:00:00 +0100

Martin Warnke (1937–2019)

Matthias Bruhn — Tue, 25 Feb 2025 00:00:00 +0100

Norbert Schneider (1945–2019)

Martin Papenbrock — Tue, 25 Feb 2025 00:00:00 +0100

Migration, globale Kunstgeschichte und die Chancen des Digitalen

Burcu Dogramaci — Tue, 25 Feb 2025 00:00:00 +0100

Lernort contra Erlebnistempel: Das (Digitale) Museum zwischen Überforderung und Entgrenzung

Ralph Knickmeier — Tue, 25 Feb 2025 00:00:00 +0100

#Partizipation: Neuverhandlungen von Sichtbarkeit im Zeichen des Hashtags

Lee Chichester — Tue, 25 Feb 2025 00:00:00 +0100

Architektur und Architekturgeschichte(n). Partizipation auf dem Prüfstand

Brigitte Sölch — Tue, 25 Feb 2025 00:00:00 +0100

«We’ll need to rethink a few things...» Überlegungen zu einer Kunstwissenschaft der nächsten Gesellschaft/en

Birte Kleine-Benne — Tue, 25 Feb 2025 00:00:00 +0100

Kritische Kunstgeschichte als produktiver Streit

Thorsten Schneider — Tue, 25 Feb 2025 00:00:00 +0100

50 Jahre Künstliche Intelligenz

Matthias Bruhn — Tue, 25 Feb 2025 00:00:00 +0100

Inhalt

Die Redaktion — Wed, 12 Mar 2025 00:00:00 +0100

Titelei

Die Redaktion — Wed, 12 Mar 2025 00:00:00 +0100

Autor:inneninfo

Die Redaktion — Wed, 12 Mar 2025 00:00:00 +0100

Nachruf auf Jörg Trempler (1970–2024)

Philipp Zitzlsperger — Wed, 12 Mar 2025 00:00:00 +0100

«Da habe ich dann gedacht: Jetzt reicht es»

Silke Wenk — Wed, 12 Mar 2025 00:00:00 +0100

Der Weltgeist als Horror-Mystery-Sci-Fi-Thriller. Soziale Differenzierung und kapitalistische Totalität in Melanie Gilligans Video-Serie Popular Unrest (2010)

Tobias Ertl — Wed, 12 Mar 2025 00:00:00 +0100

Gespräch vor digitalen Bildern. Sammlungs-Interieurs auf Instagram

Dennis Jelonnek — Wed, 12 Mar 2025 00:00:00 +0100

Web-Site-Specificity. Zur Medien- und Ortsspezifik der digitalen Ausstellung

Lukas Töpfer — Wed, 12 Mar 2025 00:00:00 +0100

Das Gesetz als Genre. Digitale Orte der unterhaltsamen Gerichtsbarkeit

Manuela Klaut — Wed, 12 Mar 2025 00:00:00 +0100

Verlaufende Verbindlichkeit. Mikrogenres auf TikTok

Julius Schwarzwälder — Wed, 12 Mar 2025 00:00:00 +0100

Die Persistenz der Gattungen. Editorial

Jan von Brevern — Wed, 12 Mar 2025 00:00:00 +0100

Autor:inneninfo

Die Redaktion — Tue, 03 Dec 2024 00:00:00 +0100

Autor:inneninfo

Die Redaktion — Wed, 04 Dec 2024 00:00:00 +0100

Autor:inneninfo

Die Redaktion — Tue, 03 Dec 2024 00:00:00 +0100

Cheese. Production and Gender Relations in Mika Rottenberg’s Dairy

Kathrin Rottmann — Wed, 04 Dec 2024 00:00:00 +0100

Mika Rottenberg’s video installation Cheese examines the relationship between production and biological reproduction, challenging the notion that they can be easily separated as Western political theory suggests. The installation highlights physical processes such as hair growth and lactation, which cannot be halted like labour. This paper analyses the production relations of milk from a materialist and feminist perspective, focusing on actors and practices. It argues that the video stages them as hyper-feminine, avoiding any didactic content on veganism, anti-speciesism or feminism.

Keywords
biological reproduction, Milk, Udder, Mika Rottenberg, feminist art history

Social Reproduction Struggles and Art Making in 1970s Italy: On the Work of Le Pezze and Gruppo Femminista Immagine di Varese

Camilla Paolino — Wed, 04 Dec 2024 00:00:00 +0100

Focusing on the context of 1970s Italy, the article analyses the practices of two women-only art collectives whose artistic production materialised the ongoing struggle against the mechanisms of social reproduction and the labour it entailed for women. Notably, it explores the artistic and militant strategies they devised to discard traditional gender roles, disrupt the sexual division of labour operating at both socioeconomic and cultural levels, and emerge as creative and political subjects.

Keywords
Social reproduction struggle, Artistic and reproductive work, Feminist subjectification, Le Pezze, Gruppo Femminista Immagine di Varese

Women and Work: Feminist Factory Interventions in 1970s London

Friederike Sigler — Wed, 04 Dec 2024 00:00:00 +0100

In the context of their joint political work in the Women’s Workshop of the London Artists’ Union, the artists Margaret Harrison, Kay Fido Hunt and Mary Kelly conducted a two-year research project in a canning factory. The research results, which they presented as an exhibition in 1975, focused on the gender-based division of labour and the realities of life for women in the factory. The conceptual techniques employed by the artists demonstrate, in my argument, the profound and pervasive influence of the sexual division on the industrial mode of production, and the extent to which female artists were similarly shaped by the conditions of the 1970s.

Keywords
Art and labour, female labour, factory interventions, feminist art, conceptual art

Andere Arbeit? El Anatsuis Communal Works

Monika Wagner — Wed, 04 Dec 2024 00:00:00 +0100

The Ghanaian artist El Anatsui, who works mainly in Nigeria, has become famous for his stunning works made of thousands of bottle caps and bottle labels. My contribution examines the processes and organisation of the extensive manual labour required to transform the metal parts from industrial production, which are usually considered waste. While in Anatsui’s workshop "communal labour" is honoured and remunerated under the patriarchal protection of the artist as a specific resource of African communities, its attraction for Post-Fordist capital interests is to be questioned.

Keywords
Abfall, communal labour, El Anatsui, Handarbeit, Kolonialismus, Künstlerwerkstatt, Postfordismus

Undermining Publishing Monopolies. On the Production and Distribution of Artists’ Books since the 1970s

Veronica Peselmann — Wed, 04 Dec 2024 00:00:00 +0100

Artistic production may be contingent upon factors such as access to materials, censorship and the influence of political forces. The books of the Brazilian artist Regina Silveira and the German artist Martin Kippenberger exemplify the extent to which different political systems affect and interlink the conceptual rubric of production, distribution and consumption. The following text argues that the production of artists’ books is not solely concerned with the production of an object, but also encompasses a programmatic aspect that considers and tests the potential meanings that production can have within the context of political, artistic and economic paradigms.

Keywords
Artists’ Books, Mail Art, Regina Silveira, Martin Kippenberger, Production

Industrial Materials, Industrial Forms

Dominic Rahtz — Wed, 04 Dec 2024 00:00:00 +0100

This essay considers the emphasis on industrial materials in the work of Carl Andre and on the forms of industrial buildings in the work of Bernd and Hilla Becher as occupying different positions within the unified ensemble of material and technical object that defines industrial production, an ensemble from which labour has been separated.

Keywords
Carl Andre, Bernd and Hilla Becher, industrial production, labour, form

«Steal me»: KP Brehmer’s Post-Production

Petra Lange-Berndt — Wed, 04 Dec 2024 00:00:00 +0100

The artists of Capitalist Realism launched their response to mass media imagery in the 1960s. In works such as Hommage à Dürer (1966) and Rosa Luxemburg (1973) KP Brehmer addressed relations of production and state policies in West and East Germany. He appropriated tools from the printing trade to intervene in the flow of collective signs with a strategy of «ideological kleptomania», inviting viewers to join in the action. The political practice of this ‹artful socialism› is sited above all within post-production; the images manifest as temporary endpoints in a network.

Keywords
Capitalist Realism, KP Brehmer, post-production, Cold War, printing press