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DAHJ International Journal for Digital Art History
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  3. No. 10 (2025)

No. 10 (2025)

This cover features the original artwork Portrait of Edmond de Belamy (2018) by Obvious from the series La Famille de Belamy.

Published: 2025-03-25

Essay

  • “This Prompt Contains Prohibited Words” Language, Ekphrasis, and the Limits of the Generative Imagination

    Benjamin Zweig
    4.02-4.11
    • PDF

Peer-Reviewed Article

  • Alternative Narratives and Aesthetics in South African Digital Art Establishing a Digital Art Practice in South Africa Framed Through the Internet

    Carly Whitaker
    3.78-3.95
    • PDF
  • Detail of Nestoras Papanikolopoulos's artwork ADM_A01A, 1986

    Nestoras Papanikolopoulos, A Pioneer of Digital Art in Greece

    Chrysa Bezirgiannidou, Irene Leontakianakou
    3.02-3.23
    • PDF
  • Generating Synthetic Autonomy Pararealistic Explorations and Implications of Ian Cheng's BOB (Bag of Beliefs)

    Laura Lake Smith
    3.24-3.37
    • PDF
  • Travel Tales Visualizing Provenance as Data

    Elizabeth Honig, Deb Niemeier, Christine Quach, Haojian Cheng
    3.38-3.51
    • PDF
  • Faces in the Mirror Applying Geometric Morphometrics to 18th Century Portraits Depicting the Same Sitter

    Alexey Zotov, Susan Hayes
    3.52-3.77
    • PDF
  • View of Commodus classified correctly

    Beyond Hairstyle Roman Imperial Portraits and Facial Recognition Software

    Sam Heijnen, Nova Hadi Lestriandoko, Sven Betjes, Olivier Hekster, Luuk Spreeuwers, Florens de Wit
    4.12-4.27
    • PDF
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ISSN 2363-5398
eISSN 2363-5401