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445 items
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Looking Home: Ethnography, Photography, and the Visualisation of Italian Cultures (1861–1911)
Agnese Ghezzi
Vol. 64 No. 1 (2022): Mitteilungen des Kunsthistorischen Institutes in Florenz
Gli inventari della “casa dell’orto”
Laura Moretti
Vol. 64 No. 1 (2022): Mitteilungen des Kunsthistorischen Institutes in Florenz
Da Anversa a Roma e ritorno
Marco Folin, Monica Preti
Vol. 64 No. 1 (2022): Mitteilungen des Kunsthistorischen Institutes in Florenz
Da un episodio poco noto una nuova traccia biografica per il bolognese Girolamo Mirola alias Baroni
Serena Quagliaroli
Vol. 64 No. 1 (2022): Mitteilungen des Kunsthistorischen Institutes in Florenz
Die Kunst der Verkleidung: Giovanni Benedetto Castigliones Jupiter mit den Vögeln als Allegorie der Malerei
Stephanie Hanke
Vol. 63 No. 3 (2021): Mitteilungen des Kunsthistorischen Institutes in Florenz
Il testamento di Aurelio Luini e la sua eredità leonardesca (1593)
Edoardo Rossetti
Vol. 63 No. 3 (2021): Mitteilungen des Kunsthistorischen Institutes in Florenz
¿Flora? de Tiziano. Virtudes y verdadera amistad en el retrato de una reciente esposa
Laura María Palacios Méndez
Vol. 63 No. 3 (2021): Mitteilungen des Kunsthistorischen Institutes in Florenz
Il reliquiario con angeli in età gotica: un modello orafo da Parigi all’Italia
Giampaolo Distefano
Vol. 63 No. 3 (2021): Mitteilungen des Kunsthistorischen Institutes in Florenz
Who Holds the Keys to the Chiostro dello Scalzo, “scuola di molti giovani”?
Alana O’Brien
Vol. 63 No. 2 (2021): Mitteilungen des Kunsthistorischen Institutes in Florenz
The Sistine Chapel’s Starry Sky Reconsidered
Florian Métral
Vol. 63 No. 2 (2021): Mitteilungen des Kunsthistorischen Institutes in Florenz
San Giovanni battezzato
Francesco Saracino
Vol. 63 No. 2 (2021): Mitteilungen des Kunsthistorischen Institutes in Florenz
Weiblichkeit und Distinktion im Selbstporträt von Élisabeth Vigée Le Brun für die Galleria degli Autoritratti in Florenz
Andreas Plackinger
Vol. 62 No. 2/3 (2020): Mitteilungen des Kunsthistorischen Institutes in Florenz
La carriera di uno scalpellino nel Settecento: Francesco Cerroti, da Settignano a Roma
Oronzo Brunetti
Vol. 62 No. 2/3 (2020): Mitteilungen des Kunsthistorischen Institutes in Florenz
Ciro Ferri delineavit, Cornelis Bloemaert sculpsit: una collaborazione artistica per due antiporte di committenza medicea
Maria Gabriella Matarazzo
Vol. 62 No. 2/3 (2020): Mitteilungen des Kunsthistorischen Institutes in Florenz
Negotiating the Numinous: Pordenone and the Miraculous Madonna di Campagna of Piacenza
Jason Di Resta
Vol. 62 No. 2/3 (2020): Mitteilungen des Kunsthistorischen Institutes in Florenz
Angelo Poliziano and Michelangelo’s Battle of the Centaurs
Charles Dempsey
Vol. 62 No. 2/3 (2020): Mitteilungen des Kunsthistorischen Institutes in Florenz
The Production of ex novo Spolia and the Creation of History in Thirteenth-Century Venice
Armin F. Bergmeier
Vol. 62 No. 2/3 (2020): Mitteilungen des Kunsthistorischen Institutes in Florenz
From Auction Catalogue to Museum Archive
Lukas Fuchsgruber
Vol. 62 No. 1 (2020): Mitteilungen des Kunsthistorischen Institutes in Florenz
Commerce and Connoisseurship
Casey Riley
Vol. 62 No. 1 (2020): Mitteilungen des Kunsthistorischen Institutes in Florenz
From Visual Inventory to Trophy Clippings
Lynn Catterson
Vol. 62 No. 1 (2020): Mitteilungen des Kunsthistorischen Institutes in Florenz
Bureaucratic Hybrids
Julia Bärnighausen
Vol. 62 No. 1 (2020): Mitteilungen des Kunsthistorischen Institutes in Florenz
“À reproduire”
Francesca Mambelli
Vol. 62 No. 1 (2020): Mitteilungen des Kunsthistorischen Institutes in Florenz
Introduction: Photography, Art, Market, and the Production of Value
Costanza Caraffa, Julia Bärnighausen
Vol. 62 No. 1 (2020): Mitteilungen des Kunsthistorischen Institutes in Florenz
Defining Self by Collecting the Other: Mussolini’s Museums at the EUR World’s Fair Site
Laurie Beth Kalb Cosmo
Vol. 59 No. 1 (2017): Mitteilungen des Kunsthistorischen Institutes in Florenz
Aeropittura futurista e colonialismo fascista: il paesaggio africano senza l’uomo
Lucia Piccioni
Vol. 59 No. 1 (2017): Mitteilungen des Kunsthistorischen Institutes in Florenz
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