Digital Art Now
Histories of (Im)Materialities
Identifiers (Article)
Identifiers (Files)
Abstract
The multifaceted history of digital art has also entailed an evolution of understanding the complex relationships between the material and immaterial in the digital medium. This text traces the histories of digital objects and systems from the 1960s to the so-called ‘post-digital’ era, which finds its artistic expression in works shaped by digital technologies and networks, yet taking the material form of objects such as paintings, sculptures, or photographs. The term neomateriality is used here to capture an objecthood that reflects back the data of humans and the environment, or reveals the way in which digital processes perceive and shape our world. Digital materialities are considered in relation to network cultures and politics, as well as art institutions.
Statistics
References
Burnham, Jack. “Systems Esthetics”, Artforum 7, No. 1 (September 1968), p. 31-35.
Burnham, Jack. 1969. “Real Time Systems.” Artforum 8, No. 1 (September 1969), p. 49-55.
Lippard, Lucy and Chandler, John. 1968. “The Dematerialization of Art,” Art International (February 1968), 31–36.
Lippard, Lucy. Six Years: The Dematerialization of the Art Object from 1966 to 1972. New York: Praeger 1973.
Paul, Christiane. “The Myth of Immateriality – Presenting and Preserving New Media”. MediaArtHistories, ed. Oliver Grau. Cambridge, MA: MIT Press, 2007, p. 251- 274.
Steyerl, Hito. 2009. In Defense of Image. E-flux Journal. No. 10 (November 10), https://www.e-flux.com/journal/10/61362/in-defense-of-the-poor-image/ (accessed January 5, 2015).
Stiegler, Bernard. Economie de l’Hypermatériel et Psychopouvoir (Economy of hypermaterial and psychopower). Paris: Mille et une Nuits 2009.
Youngblood, Gene. 1970. Expanded Cinema. Toronto and Vancouver: Clarke, Irwin & Company Limited 1970.