The International Journal for Digital Art History (DAHJ) marks its 10th anniversary at a crucial moment when digital images are not only omnipresent in daily life, but are generated by active agents that shape our ways of seeing and knowing the world. For this milestone, we critically explore the desires, demands, and politics of digital images in contemporary visual culture, while questioning the very foundations of what constitutes digital art history in an age of algorithmic methods of image making and visualization.
