Bd. 62 Nr. 1 (2020): Mitteilungen des Kunsthistorischen Institutes in Florenz

Band LXII (2020), Heft 1

 

DOI: https://doi.org/10.11588/mkhi.2020.1

Veröffentlicht: 2020-09-09

• Inhalt | Contenuto

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• Introduction: Photography, Art, Market, and the Production of Value

  Costanza Caraffa, Julia Bärnighausen

  2-9

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• “À reproduire” Production, Reproduction, and the Art Market in the Sangiorgi Materials of the Federico Zeri Foundation

  Francesca Mambelli

  10-41

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• Bureaucratic Hybrids Photographs from the Galleria Sangiorgi in Rome at the Kunsthistorisches Institut in Florenz

  Julia Bärnighausen

  42-67

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• From Visual Inventory to Trophy Clippings Bardini & Co. and the Use of Photographs in the Late Nineteenth-Century Art Market

  Lynn Catterson

  68-91

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• Commerce and Connoisseurship Isabella Stewart Gardner’s Catalogue MCM

  Casey Riley

  93-107

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• From Auction Catalogue to Museum Archive The Role of Photographs in the Fight against Forgeries in the Early Twentieth Century

  Lukas Fuchsgruber

  108-123

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