Network Analysis + Digital Art History

A Roundtable on a Collective Scholarly Experience

  • Alison Langmead (Author)
    University of Pittsburgh
    https://orcid.org/0000-0002-9159-9797
  • Anne Helmreich (Author)
  • John Ladd (Author)
  • Jin Gao (Author)
  • Yi-Hsin Lin (Author)
  • Richard Palmer (Author)
  • Etienne Posthumus (Author)
  • Hongxing Zhang (Author)
  • Koenraad Brosens (Author)
  • Rudy Jos Beerens (Author)
  • Inez De Prekel (Author)
  • Houda Lamqaddam (Author)
  • Nancy Micklewright (Author)
  • Sana Mirza (Author)
  • Zeynep Simavi (Author)
  • Jeffrey Smith (Author)

Identifiers (Article)

Abstract

In this multi-authored essay, thirteen participants in the 2019-2022 Getty Advanced Workshop on Network Analysis + Digital Art History (NA+DAH) discuss their experiences learning and working together at the intersection of these two fields of inquiry. The piece begins with a preface offering background on the workshop, continues with a series of “project biographies” for the NA+DAH teams participating in this roundtable, and then proceeds to the teams’ reflections on a series of probing questions crafted by the participants themselves. The authors reflect on what the NA+DAH Workshop has meant for their scholarship and their community-building efforts, hoping that these insights, acquired over years of productive discussion, can serve as a foundation of knowledge for other scholars who are interested in bringing these areas of study together in their research and teaching.

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Language
English
Keywords
cultural analytics, DAH community, data visualization, interdisciplinary collaboration, network analysis
How to Cite
Langmead, Alison, Anne Helmreich, John Ladd, Jin Gao, Yi-Hsin Lin, Richard Palmer, Etienne Posthumus, Hongxing Zhang, Koenraad Brosens, Rudy Jos Beerens, Inez De Prekel, Houda Lamqaddam, Nancy Micklewright, Sana Mirza, Zeynep Simavi, and Jeffrey Smith. 2024. “Network Analysis + Digital Art History: A Roundtable on a Collective Scholarly Experience”. International Journal for Digital Art History, no. 7 (May):4.02-4.22. https://doi.org/10.11588/dah.2021.7.90725.