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Artikel
429 Titel
Artikel
Football, decathlon and the martial arts
Przemysław Strożek
Bd. 66 Nr. 4 (2022): Quart. The Quarterly of the Institute of Art History at the University of Wrocław
The Indiana Murals
Barbara Lewicka
Bd. 66 Nr. 4 (2022): Quart. The Quarterly of the Institute of Art History at the University of Wrocław
The 1st Exhibition of Polish Women Artists in Bydgoszcz
Karolina Rosiejka
Bd. 66 Nr. 4 (2022): Quart. The Quarterly of the Institute of Art History at the University of Wrocław
Linking the historical and retro-avant-gardes by questioning the periphery-center relationship
Tomaž Toporišič
Bd. 66 Nr. 4 (2022): Quart. The Quarterly of the Institute of Art History at the University of Wrocław
The centennial of the “Zenit” review (1921–1926–2021)
Irina Subotić
Bd. 66 Nr. 4 (2022): Quart. The Quarterly of the Institute of Art History at the University of Wrocław
From utopia to ideology
Hanna Veselovska
Bd. 66 Nr. 4 (2022): Quart. The Quarterly of the Institute of Art History at the University of Wrocław
Swing dance costumes and their dynamics as seen through the prism of the feature films of the Second Polish Republic
Zofia Załęska
Bd. 66 Nr. 4 (2022): Quart. The Quarterly of the Institute of Art History at the University of Wrocław
Made in America for the world
Jed Rasula
Bd. 66 Nr. 4 (2022): Quart. The Quarterly of the Institute of Art History at the University of Wrocław
The glow of the metropolis
Filip Burno
Bd. 66 Nr. 4 (2022): Quart. The Quarterly of the Institute of Art History at the University of Wrocław
Sztuka i religia średniowiecza i doby nowożytnej na Przedgórzu Sudeckim
Roksana Maria Łajkosz
Bd. 65 Nr. 3 (2022): Quart. The Quarterly of the Institute of Art History at the University of Wrocław
Spolia – nowe spojrzenie na przedmiot badań
Agnieszka Zabłocka-Kos
Bd. 65 Nr. 3 (2022): Quart. The Quarterly of the Institute of Art History at the University of Wrocław
Podwodne miasta XX i XXI w.
Cezary Wąs
Bd. 65 Nr. 3 (2022): Quart. The Quarterly of the Institute of Art History at the University of Wrocław
Modern wall painting in urban space
Zofia Koszewicz, Jarosława Pabich-Szmyt
Bd. 65 Nr. 3 (2022): Quart. The Quarterly of the Institute of Art History at the University of Wrocław
Marta Tarabuła and her pioneering gallery in Kraków
Anna Markowska
Bd. 65 Nr. 3 (2022): Quart. The Quarterly of the Institute of Art History at the University of Wrocław
To play, or not to play
Emilia Kiecko
Bd. 65 Nr. 3 (2022): Quart. The Quarterly of the Institute of Art History at the University of Wrocław
Industria (nie)zrewitalizowana / Industria (non-)revitalised
Adam Pacholak
Bd. 65 Nr. 3 (2022): Quart. The Quarterly of the Institute of Art History at the University of Wrocław
Nowa tożsamość / New identity
Iwona Kałuża
Bd. 65 Nr. 3 (2022): Quart. The Quarterly of the Institute of Art History at the University of Wrocław
Poszukiwania terenu pod budowę rzeźni miejskiej i targu zwierząt rzeźnych we Wrocławiu 1877–1891 a funkcjonalne strefowanie miasta pod koniec XIX wieku / The search for a site for a municipal slaughterhouse and slaughter animal market in Wrocław 1877–1891 and the functional zoning of the city at the end of the 19th century
Marta Ostrowska-Bies
Bd. 65 Nr. 3 (2022): Quart. The Quarterly of the Institute of Art History at the University of Wrocław
Pytania i konkrety: dolnośląska architektura przemysłowa po 1945 roku / Notes and concrete points: Lower Silesian industrial architecture after 1945
Agata Gabiś
Bd. 65 Nr. 3 (2022): Quart. The Quarterly of the Institute of Art History at the University of Wrocław
Case study: lost identity and the New Synagogue in Częstochowa
Wiktoria Morawska
Bd. 64 Nr. 2 (2022): Quart. The Quarterly of the Institute of Art History at the University of Wrocław
The former St. Nicholas Church in Zamość as a Russian lieu de mémoire
Paulina Korneluk
Bd. 64 Nr. 2 (2022): Quart. The Quarterly of the Institute of Art History at the University of Wrocław
“The memory of Middle Ages” in church architecture of Italian architects in 16th c. Poland
Witold Miedziak
Bd. 64 Nr. 2 (2022): Quart. The Quarterly of the Institute of Art History at the University of Wrocław
Gratitudo
Alicja Saar-Kozłowska
Bd. 64 Nr. 2 (2022): Quart. The Quarterly of the Institute of Art History at the University of Wrocław
Graphic illustrations of Ovid’s Metamorphoses
Aleksandra Giełdoń-Paszek
Bd. 64 Nr. 2 (2022): Quart. The Quarterly of the Institute of Art History at the University of Wrocław
False inspirations
Dorota Gorzelany-Nowak
Bd. 64 Nr. 2 (2022): Quart. The Quarterly of the Institute of Art History at the University of Wrocław
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