0318 "Oh, what sights to behold in this church turned upside down"

Paulus de Kempenaer's Reckoning with the Roman Catholic Excesses

  • Eva L.E. Janssens (Author)

    Eva Janssens (b. 1991) studied art history and archaeology at Vrije Universiteit Brussel. Her master's thesis was awarded the De Bock-Doehaerd prize (2013) and the Prix Thierry Stanley Beherman (2014). Under the guidance of Prof. dr. Tine Meganck she is currently preparing a doctoral thesis on Early Modern religious prints which originated in the Low Countries between 1555 and 1609.

Identifiers (Article)

Abstract

This article focusses on a unique anti-Catholic illustrated broadsheet, De Rhoemse Kercke, from the Netherlands. Inscriptions with the initials of the makers corroborate that it was engraved by Robert Baudous (ca. 1574/75–1659) and published by Jacques de Gheyn II (1565–1629) in 1605. The engraving is accompanied by a poem long presumed lost. Commenting on the numerous pictured Catholic clergymen engaged in various abominable practices, this poem provides a unique glimpse into the thinking of its spin doctor – it is attributed to the theologian and emblematist Paulus de Kempenaer (Brussels, ca. 1554 – The Hague, 1618?). By analysing the iconography in relation to de Kempenaer's poem, this comprehensive study aims to unravel the purpose and intended audience of De Rhoemse Kercke.

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Language
en
Keywords
De Kempenaer Paulus, Baudous Robert, De Gheyn Jacques (II), illustrated broadsheet, world turned upside down, Commedia dell'arte, nose dance, "Les songes drôlatiques de Pantagruel"