0333 Eine Architektenmonographie als Abrechnung

Joseph August Lux’ "Otto Wagner" von 1914

  • Ruth Hanisch (Author)

    Ruth Hanisch is an independent architectural historian based in Dortmund. She studied art history in Vienna, completing her Master’s thesis on Loos pupil and émigré architect Felix Augenfeld. From 1997 to 2002, she worked as a teaching and research assistant at the Chair of Urban History at ETH Zurich. In 2003, she earned her doctorate from the University of Vienna with a dissertation on the relationship between city and port in the Early Modern period. Her habilitation followed in 2015, focusing on the interplay between modernity and tradition in early modern Viennese architecture. She has taught at institutions including ETH Zurich, Ruhr University Bochum, and the University of Kassel. Her numerous publications explore architecture and urbanism in Germany, Austria, and Switzerland. She has also curated exhibitions at the Baukunstarchiv NRW.

Identifiers (Article)

Abstract

Otto Wagner was already honoured with a monograph during his lifetime. What may at first glance appear to be a tribute to the architect and his life’s work by the well-known cultural journalist Joseph August Lux reveals itself, in the context of the author’s other writings, as a relatively undisguised attack on the cultural establishment of the Austro-Hungarian monarchy and its art policies. In his Wagner monograph, Lux elaborated on the theme of the artist suffering from the incomprehension of those in power – a motif he had previously developed in several of his novels. Lux too, despite the wide circulation of his books, saw himself as a victim of cultural policy, and thus as a kindred interpreter of Wagner’s creative work and suffering.

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Keywords
Otto Wagner, Joseph August Lux, monograph, cultural policy, historiography, artist novel