0336 Opportunità e limiti dell'annotazione digitale di mappe e vedute storiche

L'esempio della veduta di Napoli realizzata da Jan van Stinemolen

  • Grit Heidemann-Schirmer (Author)

    Grit Heidemann-Schirmer is Senior Coordinator for Research Grants at the Hertie School – The University of Governance in Berlin. After completing her PhD in Art History at the Berlin University of the Arts with a dissertation on the sepulchral practices of the Neapolitan nobility in the 15th century, she pursued additional professional training in the management of public funding. She previously served as a research fellow at the Collaborative Research Center 640 "Changing Representations of Social Order" at Humboldt University Berlin. She is also a DAAD alumna, having undertaken several research stays in Naples.

Identifiers (Article)

Abstract

A view of Naples by Jan van Stinemolen forms part of a digitization project that has been carried out at the Bibliotheca Hertziana – Max Planck Institute for Art History since 2017. The aim is to provide public access to selected historical maps and views of the city scenically located on the Gulf of Naples through interactive web applications. In these applications, all objects identified by numbers or inscriptions have been marked, annotated, and enriched with metadata using vector graphics. The Mappa topografica della città di Napoli e de' suoi contorni by the Duca di Noja (1775) served as the central reference for all subsequent digitizations, as it offers more valuable information for the identification of sites within the urban space and its rural surroundings in Early Modern Naples than any other historical map of the city. Jan van Stinemolen's panorama presents a challenge because it lacks an accompanying legend. This article uses Stinemolen's view of Naples not only as a compelling example of the ways in which digital web applications can work with historical source material, but also as an opportunity for discussing the potentials and limitations of such innovative analytical methods.

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Language
it
Keywords
Naples, Stinemolen Jan van, cityscape, landscape, cartography, topography, drawing, 16th-century Netherlands, digital art history, web application, spatial analysis