0126 Zwei Gemälde niederländischer Meister in Zagreb – Provenienz und Rezeptionsgeschichte

  • Iva Pasini Tržec (Author)
    Strossmayer Gallery of the Old Masters, Croatian Academy of Sciences and Arts, Zagreb

    Iva Pasini Tržec received her PhD from Faculty of Humanities and Social Sciences, University of Zagreb. She is Research Associate at the Strossmayer Gallery of the Old Masters of the Croatian Academy of Sciences and Arts where she participates in research project related to art collecting in 19th century and provenance of the works of art from the collection. She teaches the course "Dutch and Flemish Painting in the 15th, 16th and 17th century" at the Department of German language and literature of the Faculty of Humanities and Social Sciences, University of Zagreb. Her research focuses on the history of the Strossmayer collection and its works of art (primarily Dutch and Flemish). Her most recent publication is Strossmayer Hours, a commentary.

  • Ljerka Dulibić (Author)
    Strossmayer Gallery of the Old Masters, Croatian Academy of Sciences and Arts, Zagreb

    Ljerka Dulibić received her PhD from Faculty of Humanities and Social Sciences, University of Zagreb. She is Research Associate at the Strossmayer Gallery of the Old Masters of the Croatian Academy of Sciences and Arts where she participates in research project related to art collecting in 19th century and provenance of the works of art from the collection. She has been given lectures on the iconography in art at the Catholic Theological Faculty, Zagreb University. Her main research interests are 14th – 18th century Italian painting, history of art collecting and collections, provenance research, art market in the 19th century, cultural history of the 19th century.

  • Tamara Tolnai (Translator)

Identifiers (Article)

DOI: https://doi.org/10.11588/riha.2015.0.70089

Identifiers (Files)

URN: http://nbn-resolving.de/urn:nbn:de:101:1-201602167399 (PDF (Deutsch))

Abstract

The authors present the complex reception history of two paintings in the Dutch Painting Collection at the Strossmayer Gallery of Old Masters in Zagreb, reconstructing their provenance on the basis of archival documents and the analysis of heraldic insignia and other marks on the reverse. The circumstances of the purchase of Master of the Virgo inter Virgines' Throne of Mercyin Milan 1872 reflect the Italian art market development at the time. The provenance of the Nativity and the Adoration of the Shepherds by The Master of the Douai Carrying of the Cross, possibly Master J. Kock, purchased in Cologne 1871, includes prominent owners: family Peltzer, family Wittelsbach, Josef Höger, and Johann Friedrich Fromm. The importance of these two paintings was acknowledged by their inclusion in the famous exhibition held at Museum Boymans in Rotterdam 1936.

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Issue
2015: RIHA Journal
Section
Articles
Categories
20th Century; Techniques & Conservation; Collecting & Exhibiting; Art Market & Provenance
Language
de
Keywords
Josip Juraj Strossmayer, Giuseppe Baslini, Giovanni Morelli, Johann Friedrich Fromm, Kunstauktionshaus J. M. Heberle (H. Lempertz), Familie Wittelsbach, Meister der Virgo inter Virgines, Meister der Kreuztragung von Douai, möglich Meister J. Kock

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