0110 Cognition through Montage and Mechanisms of Individual Memory in Bogusław Bachorczyk's Art: On the example of the Artist's Apartment-Studio

Janusz Antos; Karolina Kolenda

doi:10.11588/riha.2014.3.70214

0110 Cognition through Montage and Mechanisms of Individual Memory in Bogusław Bachorczyk's Art

On the example of the Artist's Apartment-Studio

Janusz Antos (Author)

Akademia Sztuk Pięknych / Academy of Fine Arts, Kraków

Janusz Antos – art historian and critic. In 1985–1991 he studied art history at the Jagiellonian University. He works at the Academy of Fine Arts in Krakow, as a keeper at the Main Library. He writes about 20th- and 21st-century art. He is an author of close to a hundred texts published in edited volumes, exhibition catalogues, and magazines. He is an editor of Stanisław Wyspiański w Akademii Sztuk Pięknych w Krakowie and a co-editor of Wojciech Weiss w Akademii Sztuk Pięknych w Krakowie. A member of the Association of Art Historians (SHS) and the Polish Section of AICA.

Historyk i krytyk sztuki. W latach 1985–1991 studiował historię sztuki na Uniwersytecie Jagiellońskim. Pracownik ASP w Krakowie, kustosz w Bibliotece Głównej. Zajmuje się sztuką XX i XXI w. Autor blisko stu tekstów opublikowanych w wydawnictwach zbiorowych, katalogach wystaw i czasopismach. Redaktor książki Stanisław Wyspiański w Akademii Sztuk Pięknych w Krakowie oraz współredaktor książki Wojciech Weiss w Akademii Sztuk Pięknych w Krakowie. Członek SHS i Sekcji Polskiej AICA.
Karolina Kolenda (Translator)

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DOI: https://doi.org/10.11588/riha.2014.3.70214

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URN: http://nbn-resolving.de/urn:nbn:de:101:1-2015012918910 (PDF)

Abstract

The present text discusses Bogusław Bachorczyk's apartment-studio in Krakow. The decorations he has been making there since 2003 have transformed into a kind of work-in-progress. These decorations, just like Bachorczyk's art, are related to the issues of memory and identity. In 2013 he started the transformation of his apartment by "lacing up the wall" with polychrome in the library room, later to embrace also other rooms. He installed into existing polychromes new elements according to the rule of montage, which has recently constituted the basic strategy of his work.

0110 Cognition through Montage and Mechanisms of Individual Memory in Bogusław Bachorczyk's Art

On the example of the Artist's Apartment-Studio

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