0321 Unauthorized Plaster Casts at the Louvre's Atelier de Moulage under the Direction of Eugène-Denis Arrondelle (1880–1907)

  • Milena Gallipoli (Author)
    https://orcid.org/0000-0002-7773-4892

    Milena Gallipoli is a Postdoctoral Fellow in Art History at the Universidad Nacional de San Martín (UNSAM), Argentina. She holds a Ph.D. in History from the Escuela de Altos Estudios Sociales, Universidad Nacional de San Martín. Her research focuses on plaster cast collections in South America and the establishment of a commercial network by the end of the Long Nineteenth Century. She has held fellowships from the Ministerio de Cultura de la Nación and Museo Nacional de Bellas Artes, Santiago de Chile; Deutscher Akademischer Austauschdienst and Universität zu Köln; Deutsches Forum für Kunstgeschichte, Paris; and Staatliche Museen zu Berlin.

Identifiers (Article)

Abstract

This article investigates the production of plaster casts at the Atelier de Moulage du Musée du Louvre under the direction of moulder and sculptor Eugène-Denis Arrondelle between 1880 and 1907. This chef d’atelier engaged in dubious practices, producing casts to which patinas were added without authorization, or selling casts made using the resources of the Louvre workshop as products of his private studio. Some of Arrondelle’s unauthorized surmoulages could even be considered forgeries when he marketed them as direct casts of Louvre artworks. As a manufacturer of plaster casts, the Louvre thus was unwittingly exposed to competition with its own head of workshop. This case study allows us to explore the notion of authorship and authenticity in plaster casts and to highlight how commercial dynamics affected these concepts.

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Language
en
Keywords
plaster cast, patina, counterfeit, commerce, Musée du Louvre, Arrondelle Eugène-Denis