43 Items

Sculpture

0206 Publiczna komemoracja, nowoczesna tożsamość narodowa i kryzys klasycyzmu – przypadek „wskrzeszonej” Polski na początku XIX wieku

Mikołaj Getka-Kenig

2019: RIHA Journal
0101 Committenze europee di scultura veneziana nel Settecento

Fabien Benuzzi

2014: Special Issue "Collecting Italian Art North of the Alps 1700–1800"
0252 Andrea e Jacopo Sansovino per gli Avis: i mausolei regali portoghesi nel contesto europeo

Tommaso Mozzati

2020: RIHA Journal
'Gesamtkunstwerk' World’s Fair. Revisioning International Exhibitions

2024: Special Issue "'Gesamtkunstwerk' World’s Fair. Revisioning International Exhibitions"
0005 Geographies of Provincialism in Roman Sculpture

Peter Stewart

2010: RIHA Journal
0019 "Man müsse keine Statue Equestre machen": Abildgaard and Schadow in Copenhagen 1791

Patrick Kragelund

2011: RIHA Journal
0087 Model Making and Anti-Competitive Practices in the Late Eighteenth-Century London Sculpture Trade

Matthew Craske

2014: Special Issue "When Art History Meets Design History"
0099 Monuments Devoted to Artists in Public Spaces around Museums

Jesús Pedro Lorente

2014: RIHA Journal
0128 American Connections: The Early Works of Thomas Bang

Anne Ring Petersen

2015: RIHA Journal
0165 From Italian Monuments to the Fallen of World War I to Fascist War Memorials

Daniele Pisani

2017: Special Issue "War Graves/ Die Bauaufgabe Soldatenfriedhof, 1914-1989"
0207 Public Commemoration, Modern National Identity and the Crisis of Neoclassicism – The Case of Early Nineteenth-Century 'Resurrected' Poland

Mikołaj Getka-Kenig

2019: RIHA Journal
0216 Under the Pressure of ‘Polonization’ Ideology: Renaissance and Baroque Art in Silesia in the Works of Polish Art Historians after 1945

Andrzej Kozieł

2019: Special Issue "Prekäre Vergangenheit? Barockforschung im östlichen Mitteleuropa unter den Bedingungen des Sozialismus"
0220 Looking into the Future: Visiting Artists’ Studios in 1880s Buenos Aires

Laurens Dhaenens

2019: RIHA Journal
0230 Sull'origine francese di Giulio Cartarè (1642-1699)

Jacopo Curzietti

2019: RIHA Journal
0237 Foreign Communities, Collective Identities, and the Arts in Early Modern Rome

Susanne Kubersky-Piredda, Tobias Daniels

2020: Special Issue "Constructing Nationhood in Early Modern Rome"
0256 Moderner Inhalt in manieristischer Form. Max Dvořák unter dem Einfluss Georg Simmels

Tomáš Murár

2021: RIHA Journal
0260 Vienna as a Sculptural Centre in the Long 19th Century

Ingeborg Schemper-Sparholz, Caroline Mang

2021: Special Issue "Vienna as a Sculptural Centre in the Long 19th Century. Current Research on Sculpture in Central Europe"
0261 Forschungsstand und Forschungsfragen – Historische und aktuelle Positionen zur Skulptur am Ende der Habsburgermonarchie

Ingeborg Schemper-Sparholz

2021: Special Issue "Vienna as a Sculptural Centre in the Long 19th Century. Current Research on Sculpture in Central Europe"
0262 Die Inszenierung der vier österreichischen Kaiser im Langen 19. Jahrhundert in der Porträtbüste

Gabriele Böhm-Nevole

2021: Special Issue "Vienna as a Sculptural Centre in the Long 19th Century. Current Research on Sculpture in Central Europe"
0263 "denn gerade Wien ist der Ort, wo die Schule der monumentalen Plastik den geeigneten Boden hat"

Caroline Mang

2021: Special Issue "Vienna as a Sculptural Centre in the Long 19th Century. Current Research on Sculpture in Central Europe"
0265 Czech Sculpture in the Late 19th and Early 20th Centuries and Its Attitude Towards Vienna

Martin Krummholz

2021: Special Issue "Vienna as a Sculptural Centre in the Long 19th Century. Current Research on Sculpture in Central Europe"
0266 The Habsburgs and Public Monuments in 19th-Century Croatia

Dragan Damjanović

2021: Special Issue "Vienna as a Sculptural Centre in the Long 19th Century. Current Research on Sculpture in Central Europe"
0267 Public Sculpture in Zagreb in the Second Half of the 19th Century

Irena Kraševac

2021: Special Issue "Vienna as a Sculptural Centre in the Long 19th Century. Current Research on Sculpture in Central Europe"
0268 The Millennial Monument in Budapest as a Bearer of Memory, National Identity and Self-Awareness

Gábor György Papp

2021: Special Issue "Vienna as a Sculptural Centre in the Long 19th Century. Current Research on Sculpture in Central Europe"
0269 Altering the Titles of Artworks for New Functions. Two Plaster Groups by Josip Urbanija (1877–1943)

Karin Šmid

2021: Special Issue "Vienna as a Sculptural Centre in the Long 19th Century. Current Research on Sculpture in Central Europe"

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