0237 Foreign Communities, Collective Identities, and the Arts in Early Modern Rome

  • Susanne Kubersky-Piredda (Author)

    Susanne Kubersky-Piredda is Senior Scholar of the Bibliotheca Hertziana – Max Planck Institute for Art History in Rome. She received her Ph.D. from the University of Cologne with a dissertation on the history of the art market in Renaissance Florence. Subsequent research distinctions include postdoctoral fellowships of the Medici Archive Project in Florence and the Getty Research Institute. Between 2006 and 2011 she was Scientific Collaborator at the Bibliotheca Hertziana. From 2011 to 2015 she directed the Minerva Research Group "'Roma Communis Patria'. The National Churches in Rome from the Middle Ages to the Modern Era". Her research interests include: foreign communities in Italian cities (dynamics of cohabitation, interaction, and representation); collective identity and notions of nationhood in Early Modern visual culture; European court culture (artistic exchange between Spain and Italy in the sixteenth and seventeenth centuries); economic and social history of art (the history of art markets, the social status of the artist). Susanne Kubersky-Piredda is Managing Editor of the Römisches Jahrbuch der Bibliotheca Hertziana and one of the Local Editors of the RIHA Journal.

  • Tobias Daniels (Author)

    Currently, Tobias Daniels is a post-doctoral research associate at the Ludwig-Maximilians-University of Munich (LMU). He received his Ph.D. from the Universities of Innsbruck and Pavia in 2011, and his Habilitation from the LMU in 2018. From 2012 to 2016 he has been a post-doctoral research associate at the Bibliotheca Hertziana – Max Planck Institute for Art History in Rome, in the Minerva project "'Roma Communis Patria'. The National Churches in Rome from the Middle Ages to the Modern Era". His research interests include cultural exchange in Europe in the Middle Ages and the Modern Era.

Identifiers (Article)

Abstract

The aim of this RIHA special issue is to locate and define emerging notions and expressions of nationhood in Rome from the 15th through the 17th centuries, and in particular the material, visual, and intellectual practices of nationhood. Primarily the churches built by the nationes with their paintings and sculptures, their music and their ephemeral decorations, their feasts and processions were manifestations of the collective identities of foreign communities, and were understood as such. But nationhood was also expressed through a variety of other individual or institutionalized practices, including embassy, client-patron networks, charity, trade etc.

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Language
en
Keywords
National Churches, nationhood, national identity, collective identity, foreign communities, Early Modern Rome, National Saints, Gregory VIII, Sixtus V