0330 Komplexe Beziehungen. Notizen zu Biographie und Werk von Friedl Dicker-Brandeis

  • Stefanie Kitzberger (Author)

    Stefanie Kitzberger is a writer, curator, and deputy head of the department of Art Collections and Archive at the University of Applied Arts Vienna, where she is currently completing her PhD in art history. She has been, among other positions, a Junior Fellow at the IFK Vienna/Linz and a Pre-Doctoral Visiting Fellow at Northwestern University. Her teaching and research focus on twentieth-century and contemporary art, with particular emphasis on Marxism, feminism, and Critical Race Theory. Her current work explores the entanglements of art and applied arts with nationalism and colonialism in the late Habsburg Empire, as well as diagrammatic realism in leftist interwar practices.

Identifiers (Article)

Abstract

This article discusses the methodological approaches for writing a monograph that links the life and work of an individual engaged in the arts, using the example of Friedl Dicker-Brandeis (1898–1944). It advocates for a productive interweaving of biographical construction and work-centered study, critically reflecting on the diversity of the textual, visual and material sources and their varying availability, condition, and framing. Through selected life stages and exemplary analyses of her work, the article explores the complex interrelations between the societal conditions that shaped Dicker-Brandeis’s work as a Jewish artist, female architect, and committed leftist intellectual up to her deportation, and her ways to position herself within, and at times against, these categorizations. In doing so, it brings together perspectives from critical biographical research with a reading of the politics of artistic practice.

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Keywords
avant-garde, intersectional social history of art, critical biographical research