Bd. 66 Nr. 4 (2022): Quart. The Quarterly of the Institute of Art History at the University of Wrocław

DOI: https://doi.org/10.11588/quart.2022.4

Veröffentlicht: 2023-04-26

• Cover

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• Spis treści

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• Od Redakcji / Editorial

  Waldemar Okoń

  2

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• The glow of the metropolis Electricity, architecture, and the senses. Berlin 1924–1933

  Filip Burno

  3-27

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• Made in America for the world Avant-garde responses to jazz

  Jed Rasula

  28-39

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• Swing dance costumes and their dynamics as seen through the prism of the feature films of the Second Polish Republic

  Zofia Załęska

  40-59

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• From utopia to ideology 1920s theatre studios in Ukraine

  Hanna Veselovska

  60-75

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• The centennial of the “Zenit” review (1921–1926–2021) Examples of the avant-garde networking

  Irina Subotić

  76-93

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• Linking the historical and retro-avant-gardes by questioning the periphery-center relationship The case of Trieste, Ljubljana, Zagreb and Belgrade

  Tomaž Toporišič

  94-111

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• The 1st Exhibition of Polish Women Artists in Bydgoszcz On the strategies of visibility on the cultural map of the reborn Second Polish Republic

  Karolina Rosiejka

  112-131

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• The Indiana Murals A study of the work in sociological terms

  Barbara Lewicka

  132-151

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• Football, decathlon and the martial arts The Axis Powers and the visual propaganda of the international mega sporting events: 1934–1940

  Przemysław Strożek

  152-170

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• Lista Recenzentów i Recenzentek w roku 2022 / List of Reviewers 2022

  171

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• Contents

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• Back cover

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