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2014
Special Issue "Contemporary Art and Memory" (Part I)
2014
Articles 0103-0114
Guest-edited by / Gościnnie zredagowany przez Katarzyna Jagodzińska (International Cultural Centre, Krakow)
This special issue results from a seminar hosted by the ICC in Krakow in conjunction with the exhibition "Memory. Registers and Territories" (ICC Gallery, Dec. 2013 - April 2014). In case studies and cross-sectional investigations, the authors trace the motifs of individual and collective memory in contemporary Polish art.
2013
2012
Special Issue "New Directions in Neo-Impressionism"
2012
Articles 0041-0048
Guest-edited by Tania Woloshyn and Anne Dymond
Scholarly literature has much privileged Georges Seurat's oeuvre to "explain" neo-impressionism, not least its technique, the point (pointillism) or divided facture (divisionism). While Seurat's production is indisputably key to the history of neo-impressionism, critically analyzing the movement beyond the celebrity of Seurat – its developments after the artist's untimely early death in 1891, its diverse practitioners, and the origins of that very narrative – opens up fresh interpretations with new insights.
Special Issue "Vincenzo Scamozzi: Lektüren eines gelehrten Architekten"
2012
Articles 0058-0060
Guest-edited by Rüdiger Hoyer
These papers derive from a colloquium held at the Zentralinstitut für Kunstgeschichte in Munich (ZI). The occasion was a new acquisition for the ZI's library: a volume of the first complete edition of Sebastiano Serlio's "Books on Architecture" (Venice 1551) annotated by Vincenzo Scamozzi (1548-1616). The copy is one of the very few surviving annotated books from Scamozzi, who is known for his broad erudition. It is a first-rate art-historical source that has remained unknown until now and provides direct insight into Scamozzi's working methods.
2011
2010
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