2012: Special Issue "New Directions in Neo-Impressionism"
Articles 0041-0048 Guest-edited by Tania Woloshyn and Anne Dymond Scholarly literature has much privileged Georges Seurat's oeuvre to "explain" neo-impressionism, not least its technique, the point (pointillism) or divided facture (divisionism). While Seurat's production is indisputably key to the history of neo-impressionism, critically analyzing the movement beyond the celebrity of Seurat – its developments after the artist's untimely early death in 1891, its diverse practitioners, and the origins of that very narrative – opens up fresh interpretations with new insights.
