24 items

Transkulturelle Perspektiven

Afterword

Elisabetta Colla

No. 4 (2020): Kunsttexte
Living Traditions: The Museum as a Platform for the Promotion and Conservation of Asian Puppet Theatre

Robin Ruizendaal

No. 4 (2020): Kunsttexte
Korean Gardens outside of Korea: The Re-Construction of National Cultural Identity

Maria Sobotka

No. 4 (2020): Kunsttexte
Chinese Money Matters – So why Does it Have Such a Low Profile?

Helen Wang

No. 4 (2020): Kunsttexte
Japan in Venice: Collecting Tastes around the Birth of the Museo d’Arte Orientale

Marta Boscolo Marchi

No. 4 (2020): Kunsttexte
Collecting karamono kodō 唐物古銅 in Meiji Japan: Archaistic Chinese Bronzes in the Chiossone Museum, Genoa, Italy

Donatella Failla

No. 4 (2020): Kunsttexte
Acheter un petit chinois: The Jesuit Museum of Chinese Art in Quebec

Karen Tam

No. 4 (2020): Kunsttexte
The Asia and Pacific Museum in Warsaw: New Beginning and Challenges

Maria Szymańska-Ilnata

No. 4 (2020): Kunsttexte
The Collections of the Orient Museum (Fundação Oriente-Museu do Oriente): Polysemy and Metonymy

Sofia Campos Lopes

No. 4 (2020): Kunsttexte
The Museo Nacional de Arte Oriental in Buenos Aires: From European Taste for Oriental Art to Genuine Interest in the East

Florencia Rodríguez Giavarini

No. 4 (2020): Kunsttexte
Imagining the Orient: Early Collecting at the Montreal Museum of Fine Arts

Laura Vigo

No. 4 (2020): Kunsttexte
Challenging the Framing of Asia and the Role of the KVVAK (Royal Asian Art Society in the Netherlands): The Asian Pavilion of the Rijksmuseum in Amsterdam

Annette Loeseke

No. 4 (2020): Kunsttexte
Asia Collections outside Asia: Questioning Artefacts, Cultures and Identities in the Museum: Introduction

Iside Carbone, Helen Wang

No. 4 (2020): Kunsttexte
The Library of Tibetan Works and Archives: Diaspora, Memory, and Movement

Monalisha Saikia

No. 1 (2019): Kunsttexte
‘Tibetan Treasures’ of the Weltmuseum Wien: A First Critical Approach to René de Nebesky-Wojkowitz’s Policy of Collecting

Uwe Niebuhr, Verena Widorn

No. 1 (2019): Kunsttexte
World Systems Perspectives and Art: A Case Study of the Museum of Contemporary Tibetan Art in the Netherlands

Laura E.A. Braden, Naomi Oosterman

No. 1 (2019): Kunsttexte
Representing Tibet Abroad: Tibetan Heritage, Art and Material Culture: Editorial

Regina Höfer

No. 1 (2019): Kunsttexte
Introduction: Architectural Models, Mobility, and Building Techniques: Modes of Transfer in Medieval Anatolia, Byzantium, and the Caucasus

Patricia Blessing

No. 3 (2014): Kunsttexte
Buildings in their patrons’ hands? The multiform function of small size models between Byzantium and Transcaucasia

Maria Cristina Carile

No. 3 (2014): Kunsttexte
Entre architecture "Turco-islamique" et "Derviches colonisateurs": revisiter les zaviye-s en Anatolie médiévale

Maxime Durocher

No. 3 (2014): Kunsttexte
The Zhamatun of Horomos: The Shaping of an Unprecedented Type of Fore-church Hall

Armen Kazaryan

No. 3 (2014): Kunsttexte
Brick Muqarnas on Rūm Saljuq buildings - The introduction of an Iranian decorative technique into the architecture of Anatolia

Richard Piran McClary

No. 3 (2014): Kunsttexte
Imperial References: The Gök Medrese in Sivas as an Example of the Use of Marble in Thirteenth-century Anatolia

Sophia Vassilopoulou

No. 3 (2014): Kunsttexte
Architectural Models, Mobility, and Building Techniques: Content

Patricia Blessing

No. 3 (2014): Kunsttexte