No. 4 (2020): Kunsttexte

Transkulturelle Perspektiven

• Asia Collections outside Asia: Questioning Artefacts, Cultures and Identities in the Museum: Introduction

  Iside Carbone, Helen Wang

  1-9

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• Challenging the Framing of Asia and the Role of the KVVAK (Royal Asian Art Society in the Netherlands): The Asian Pavilion of the Rijksmuseum in Amsterdam

  Annette Loeseke

  1-10

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• Imagining the Orient: Early Collecting at the Montreal Museum of Fine Arts

  Laura Vigo

  1-11

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• The Museo Nacional de Arte Oriental in Buenos Aires: From European Taste for Oriental Art to Genuine Interest in the East

  Florencia Rodríguez Giavarini

  1-6

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• The Collections of the Orient Museum (Fundação Oriente-Museu do Oriente): Polysemy and Metonymy

  Sofia Campos Lopes

  1-9

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• The Asia and Pacific Museum in Warsaw: New Beginning and Challenges

  Maria Szymańska-Ilnata

  1-10

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• Acheter un petit chinois: The Jesuit Museum of Chinese Art in Quebec

  Karen Tam

  1-13

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• Collecting karamono kodō 唐物古銅 in Meiji Japan: Archaistic Chinese Bronzes in the Chiossone Museum, Genoa, Italy

  Donatella Failla

  1-15

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• Japan in Venice: Collecting Tastes around the Birth of the Museo d’Arte Orientale

  Marta Boscolo Marchi

  1-13

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• Chinese Money Matters – So why Does it Have Such a Low Profile?

  Helen Wang

  1-13

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• Korean Gardens outside of Korea: The Re-Construction of National Cultural Identity

  Maria Sobotka

  1-7

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• Living Traditions: The Museum as a Platform for the Promotion and Conservation of Asian Puppet Theatre

  Robin Ruizendaal

  1-8

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• Afterword

  Elisabetta Colla

  1-5

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