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No. 3 (2018): Kunsttexte
No. 3 (2018): Kunsttexte
DOI:
https://doi.org/10.48633/ksttx.2018.3
Published:
2022-05-03
Renaissance
At the End of the Stream: Copy in 14th to 17th Century China
Dan Xu
1-18
PDF
Das Dürer-Monogramm als Gegenstand der Nachahmung im 16. und frühen 17. Jahrhundert
Ksenija Tschetschik-Hammerl
1-31
PDF (Deutsch)
On Ars Geminis
Fakes, Forgeries and Copies of Medieval and Renaissance Paintings: Scientifc Diagnostics for Art History
Paola Artoni, Miquel Àngel Herrero-Cortell, Marta Raïch, Paolo Bertelli, Anna Victòria Pedret, Valeria Cafà
1-27
PDF (Deutsch)
The Imposed Antiquity or Time that Never Passed over Paintings
Procedures and Techniques of Forgers of Paintings and Drawings in Medieval and Early-Modern Styles
Miquel Àngel Herrero-Cortell, Paola Artoni, Valeria Cafà
1-22
PDF
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